主演：杰森·贝特曼,凯瑟琳·哈恩,阿曼达·安卡,菲利普·贝克·霍尔,艾莉森·珍妮
导演：杰森·贝特曼
简介：性格古怪不善言辞的大叔盖伊·垂尔比（杰森·贝特曼 Jason Bateman 饰）早已人到中年，而少年时辍学的阴影却让他一直耿耿于怀。美国教育界举办了一场只针对中小学生参赛的拼字比赛“National Spelling Bee”，所有参赛选手都是八年级以下的学生。偶然间，盖伊发现了这场全美拼字比赛规则中的巨大漏洞。他利用注册的盲区参加了这次全国青少年组的拼字比赛，凭借自己超人的单词记忆力入围总决赛。然而盖伊高龄的岁数却遭到外界质疑声连连，指责他破坏了比赛规则。比赛过程中，盖伊与一位天资异禀的印度男孩结下了深厚的友谊。然而随着比赛的进行，越来越多的人开始阻碍他的参赛，而盖伊参加此次比赛的真正目的也随之浮出水面。本片是男主角杰森·贝特曼自编自导的荧幕处女作。
主演：马塞洛·马斯楚安尼,克劳迪娅·卡汀娜,皮埃尔·布拉瑟,里娜·莫雷利,托马斯·米连,Fulvia,Mammi,Patrizia,Bini,Anna,Arena,Maria,Luisa,Crescenzi,Jole,Fierro,Cesarina,Gheraldi
导演：莫洛·鲍罗尼尼
简介：故事发生在意大利的卡塔尼亚，安东尼奥（马塞洛·马斯楚安尼 Marcello Mastroianni 饰）生得一副英俊的面孔，是小镇里有名的花花公子。许多姑娘被他的传闻撩得心痒痒，慕名而来希望成为他的妻子。最终，安东尼奥选择了名为芭芭拉（克劳迪娅·卡汀娜 Claudia Cardinale 饰）的女子，两人携手步入了婚礼的殿堂。结婚之后，芭芭拉才发现自己的丈夫外强中干，实际上是个性无能，感觉受到了欺骗的芭芭拉决定离开安东尼奥。为了保全儿子的颜面，安东尼奥的父亲做了许多的荒唐事，并且最终死于非命，而安东尼奥却在无心插柳的情况下，成功的令家中的女仆怀孕。
主演：Jackie,Cooper,Alex,Cord,Richard,Jaeckel
导演：Sutton,Roley
简介：A group of diverse individuals are suddenly taken from their homes and flown via helicopter to a futuristic bomb shelter in the desert, one-third of a mile below the surface of the Earth. There, they learn that a nuclear holocaust is taking place and that they've been "chosen" by computer to survive in the shelter in order to continue the human race. The shelter is designed to allow the people to exist underground comfortably for years, but they are faced with a threat nobody could have predicted: a colony of thousands of bloodthirsty vampire bats finds a way into the shelter and launches a series of vicious attacks where they claim the humans one by one.
主演：玛格丽特·鲁斯福德,朗·穆迪,查尔斯‘巴德’汀格维尔
导演：乔治·波洛克
简介：Although the evidence appears to be overwhelming in the strangulation murder of a blackmailer, Miss Marple's sole 'not guilty' vote han gs the jury 11-1. She becomes convinced that the real murderer is a member of a local theatrical troupe, so she joins them in order to gather information. The clues lead back many years to a single disastrously unsuccessful 1951 performance of a dreadful play written by the group's hammy director, H. Driffold Cosgood. Although at that time, several of the current cast members were only children, more murders follow before Miss Marple ultimately exposes the killer.英国影片。片长90分，根據Mrs. McGinty's Dead改編，原著是波羅故事。因影片将主角变为马普尔小姐和剧情的更改引起原小說作者克里斯蒂强烈不满，影片本身也遭遇票房和评论惨败。主演Margaret Rutherford还出演過另外3部以马普尔小姐为主角的电影，其中1部亦是根据波洛故事改编(「葬礼之后」)，另1部是原创剧本。80年代在多部电视剧中扮演塔彭丝的Francesca Annis也在本片中扮演一个小角色。
主演：Andrzej,Banaszewski,Beata,Barszczewska,马里乌什·德莫霍夫斯基
导演：斯坦尼斯拉夫·罗泽维格
简介：In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his brother, Taduesz Rozewicz as screenwriter. Such brother tandems are rare in the history of film but aside from family ties, Stanislaw (born in 1924) and Taduesz (born in 1921) were mutually bound by their love for the cinema. They were born and grew up in Radomsk, a small town which had "its madmen and its saints" and most importanly, the "Kinema" cinema, as Stanislaw recalls: for him cinema is "heaven, the whole world, enchantment". Tadeusz says he considers cinema both a charming market stall and a mysterious temple. "All this savage land has always attracted and fascinated me," he says. "I am devoured by cinema and I devour cinema; I'm a cinema eater." But Taduesz Rozewicz, an eminent writer, admits this unique form of cooperation was a problem to him: "It is the presence of the other person not only in the process of writing, but at its very core, which is inserperable for me from absolute solitude." Some scenes the brothers wrote together; others were created by the writer himself, following discussions with the director. But from the perspective of time, it is "Birth Certificate", rather than "Echo" or "The Wicked Gate", that Taduesz describes as his most intimate film. This is understandable. The tradgey from September 1939 in Poland was for the Rozewicz brothers their personal "birth certificate". When working on the film, the director said "This time it is all about shaking off, getting rid of the psychological burden which the war was for all of us. ... Cooperation with my brother was in this case easier, as we share many war memories. We wanted to show to adult viewers a picture of war as seen by a child. ... In reality, it is the adults who created the real world of massacres. Children beheld the horrors coming back to life, exhumed from underneath the ground, overwhelming the earth."The principle of composition of "Birth Certificate" is not obvious. When watching a novella film, we tend to think in terms of traditional theatre. We expect that a miniature story will finish with a sharp point; the three film novellas in Rozewicz's work lack this feature. We do not know what will be happen to the boy making his alone through the forest towards the end of "On the Road". We do not know whether in "Letter from the Camp", the help offered by the small heroes to a Soviet prisoner will rescue him from the unknown fate of his compatriots. The fate of the Jewish girl from "Drop of Blood" is also unclear. Will she keep her new impersonation as "Marysia Malinowska"? Or will the Nazis make her into a representative of the "Nordic race"? Those questions were asked by the director for a reason. He preceived war as chaos and perdition, and not as linear history that could be reflected in a plot. Although "Birth Certificate" is saturated with moral content, it does not aim to be a morality play. But with the immense pressure of reality, no varient of fate should be excluded. This approached can be compared wth Krzysztof Kieslowski's "Blind Chance" 25 years later, which pictured dramatic choices of a different era.The film novella "On the Road" has a very sparing plot, but it drew special attention of the reviewers. The ominating overtone of the war films created by the Polish Film School at that time should be kept in mind. Mainly owing to Wajda, those films dealt with romantic heritage. They were permeated with pathos, bitterness, and irony. Rozewicz is an extraordinary artist. When narrating a story about a boy lost in a war zone, carrying some documents from the regiment office as if they were a treasure, the narrator in "On the Road" discovers rough prose where one should find poetry. And suddenly, the irrational touches this rather tame world. The boy, who until that moment resembled a Polish version of the Good Soldier Schweik, sets off, like Don Quixote, for his first and last battle. A critic described it as "an absurd gesture and someone else could surely use it to criticise the Polish style of dying. ... But the Rozewicz brothers do no accuse: they only compose an elegy for the picturesque peasant-soldier, probably the most important veteran of the Polish war of 1939-1945." "Birth Certificate" is not a lofty statement about national imponderabilia. The film reveals a plebeian perspective which Aleksander Jackieqicz once contrasted with those "lyrical lamentations" inherent in the Kordian tradition. However, a historical overview of Rozewicz's work shows that the distinctive style does not signify a fundamental difference in illustrating the Polish September. Just as the memorable scene from Wajda's "Lotna" was in fact an expression of desperation and distress, the same emotions permeate the final scene of "Birth Certificate". These are not ideological concepts, though once described as such and fervently debated, but rather psychological creations. In this specific case, observes Witold Zalewski, it is not about manifesting knightly pride, but about a gesture of a simple man who does not agree to be enslaved.The novella "Drop of Blood" is, with Aleksander Ford's "Border Street", one of the first narrations of the fate of the Polish Jews during the Nazi occupation. The story about a girl literally looking for her place on earth has a dramatic dimension. Especially in the age of today's journalistic disputes, often manipulative, lacking in empathy and imbued with bad will, Rozewicz's story from the past shocks with its authenticity. The small herione of the story is the only one who survives a German raid on her family home. Physical survial does not, however, mean a return to normality. Her frightened departure from the rubbish dump that was her hideout lead her to a ruined apartment. Her walk around it is painful because still fresh signs of life are mixed with evidence of annihilation. Help is needed, but Mirka does not know anyone in the outside world. Her subsequent attempts express the state of the fugitive's spirits - from hope and faith, moving to doubt, a sense of oppression, and thickening fear, and finally to despair.At the same time, the Jewish girl's search for refuge resembles the state of Polish society. The appearance of Mirka results in confusion, and later, trouble. This was already signalled by Rozewicz in an exceptional scene from "Letter from the Camp" in which the boy's neighbour, seeing a fugitive Russian soldier, retreats immediately, admitting that "Now, people worry only about themselves." Such embarassing excuses mask fear. During the occupation, no one feels safe. Neither social status not the aegis of a charity organisation protects against repression. We see the potential guardians of Mirka passing her back and forth among themselves. These are friendly hands but they cannot offer strong support. The story takes place on that thin line between solidarity and heroism. Solidarity arises spontaneously, but only some are capable of heroism. Help for the girl does not always result from compassion; sometimes it is based on past relations and personal ties (a neighbour of the doctor takes in the fugitive for a few days because of past friendship). Rozewicz portrays all of this in a subtle way; even the smallest gesture has significance. Take, for example, the conversation with a stranger on the train: short, as if jotted down on the margin, but so full of tension. And earlier, a peculiar examination of Polishness: the "Holy Father" prayer forced on Mirka by the village boys to check that she is not a Jew. Would not rising to the challenge mean a death sentance?Viewed after many years, "Birth Certificate" discloses yet another quality that is not present in the works of the Polish School, but is prominent in later B-class war films. This is the picture of everyday life during the war and occupation outlined in the three novellas. It harmonises with the logic of speaking about "life after life". Small heroes of Rozewicz suddenly enter the reality of war, with no experience or scale with which to compare it. For them, the present is a natural extension of and at the same time a complete negation of the past. Consider the sleey small-town marketplace, through which armoured columns will shortly pass. Or meet the German motorcyclists, who look like aliens from outer space - a picture taken from an autopsy because this is how Stanislaw and Taduesz perceived the first Germans they ever met. Note the blurred silhouettes of people against a white wall who are being shot - at first they are shocking, but soon they will probably become a part of the grim landscape. In the city centre stands a prisoner camp on a sodden bog ("People perish likes flies; the bodies are transported during the night"); in the street the childern are running after a coal wagon to collect some precious pieces of fuel. There's a bustle around some food (a boy reproaches his younger brother's actions by singing: "The warrant officer's son is begging in front of the church? I'm going to tell mother!"); and the kitchen, which one evening becomes the proscenium of a real drama. And there are the symbols: a bar of chocolate forced upon a boy by a Wehrmacht soldier ("On the Road"); a pair of shoes belonging to Zbyszek's father which the boy spontaneously gives to a Russian fugitive; a priceless slice of bread, ground under the heel of a policeman in the guter ("Letters from the Camp"). As the director put it: "In every film, I communicate my own vision of the world and of the people. Only then the style follows, the defined way of experiencing things." In Birth Certificate, he adds, his approach was driven by the subject: "I attempted to create not only the texture of the document but also to add some poetic element. I know it is risky but as for the merger of documentation and poety, often hidden very deep, if only it manages to make its way onto the screen, it results in what can referred to as 'art'."After 1945, there were numerous films created in Europe that dealt with war and children, including "Somewhere in Europe" ("Valahol Europaban", 1947 by Geza Radvanyi), "Shoeshine" ("Sciescia", 1946 by Vittorio de Sica), and "Childhood of Ivan" ("Iwanowo dietstwo" by Andriej Tarkowski). Yet there were fewer than one would expect. Pursuing a subject so imbued with sentimentalism requires stylistic disipline and a special ability to manage child actors. The author of "Birth Certificate" mastered both - and it was not by chance. Stanislaw Rozewicz was always the beneficent spirit of the film milieu; he could unite people around a common goal. He emanated peace and sensitivity, which flowed to his co-workers and pupils. A film, being a group work, necessitates some form of empathy - tuning in with others.In a biographical documentary about Stanislaw Rozewicz entitled "Walking, Meeting" (1999 by Antoni Krauze), there is a beautiful scene when the director, after a few decades, meets Beata Barszczewska, who plays Mireczka in the novella "Drops of Blood". The woman falls into the arms of the elderly man. They are both moved. He wonders how many years have passed. She answers: "A few years. Not too many." And Rozewicz, with his characteristic smile says: "It is true. We spent this entire time together."
主演：钟汉良,杨颖,甘婷婷,孙艺洲,亓航,麦迪娜,程枫,于波,于荣光,金巧巧
导演：鞠觉亮
简介：在一个架空的时代，晋、燕、凉、白兰四国连年征战，狼烟不止。其中晋国国力强盛，而晋国镇北王楚北捷（钟汉良 饰）深谋远虑，骁勇过人，是其他三国极其忌惮的人物。不过正所谓棋逢对手将遇良才，燕国敬安王之子何侠（孙艺洲 饰）在聪慧美丽、智慧勇敢的侍女白娉婷（杨颖 饰）的鼎力相助下，帮助小王爷以八千人顶住楚北捷十万大军的碾压。怎奈燕王忌恨何侠，设下鸿门宴构陷敬安王府。内乱之际，楚北捷踏破敬安王府，何侠仓皇出逃，而落难的白娉婷为楚北捷救下。楚发现，娉婷居然是寻找了多年的救命恩人。乱世之中，二男一女的缭乱的命运被紧紧缠绕在一起……本片根据风弄同名帝后小说改编。
主演：于小彤,关智斌,毛晓慧,楷旋,黄觉,杨雨婷,陈政阳,杨懿,张艺泷,李浩滨,强川,苑子艺,李彦明,徐少强,林雨申,元华,宣萱,黄海冰
导演：吴锦源
简介：“双生子诞，龙主九天”三十二字真言中这二句话，让乱世硝烟中的原、窦二大枭雄开始了一场以天下为博弈的战局！原青江娶了连皇后的妹妹为妻，受圣人点拨，搜寻五个身世不凡的孩童以聚龙气。窦相求贤不成杀死智者花斌，其孪生女花木槿与花锦绣却被原家暗人带进原府。木槿凭借父亲传授智慧帮助危难中结拜的小五义度过生死考验。然花家姐妹阴差阳错爱上三公子原非白。原青江看清花木槿的价值，逼其服下“生生不离”，一旦不贞定让来者武功尽废或暴毙身亡。非白对木槿挚爱至深，却深藏秘密：原家地宫中的孪生哥哥司马遽，爱上了花锦绣，造成痛苦的误会。窦相发动宫变，煽动南诏军血洗原家。木槿顶替原侯之女引开追兵，竟让南国世子段月容中了“生生不离”。木槿帮他洗清冤屈恢复王位，段月容深深爱上了她。木槿运用父亲传授的商训，女扮男装行商天下，暗助非白重整旗鼓立功建业。在飘摇的乱世中，用无怨无悔的深情演绎出一首不离不弃的长相守。
主演：王千源,鹿晗,齐溪,乔欣,吴越,张皓然
导演：五百
简介：曾是刑警队长的张海峰，因独生女朵朵在两年前意外身亡，家庭破碎，浑噩度日，却被卷入一起连环杀人案中，而这个案件似乎与朵朵当年的意外密切相关。迎接他的，不仅是复杂莫测的凶案真相，还有层层叠叠的时光陷阱......
主演：贾冰,刘桦,韩烨洲,朱天福,宋宁,余俪,孙涛,潘长江,李诚儒,王宁,卜钰,蒋诗萌,曹瑞,郭阳,郭亮,方向,赵雪,杨博,何昊阳,王冬冬,王庆,马典滨,闫强,吴丹,贲志伟,郭子歆,万美麟,孙蛟龙,童虎,王守阳,李闯,吕腾飞,李里,李汶樟,张继丹,高天,栗牮,刘珂,王思承,王崇,曹羽,澔成,苑筱宁,王汝佳,刘琪,刘小虎,谷常锐,李发光,杨斌,王财,袁宏,于天川,程飞,张梓浩,谭世辉
导演：王紫萱,徐忆欧,赵凯
简介：东北古装喜剧热血回归，众多实力大咖爆笑演绎！
主演：柳云龙,苏青,梁冠华,李立群,钱波,张弓,亓航,刘名洋,申军谊,雷汉,石兆琪
导演：殷飞
简介：1944年抗日战争期间，打入伪满林河警察厅任刑事科长的中共秘密情工人员唐飞，在中国地下党林河省委书记程国勋和苏联远东情报局局长格拉西姆的领导下，执行苏军远东情报局的“穆丹乌拉”谋略行动。唐飞潜入保安局结识了因国仇家恨而潜入的抗日民主分子蔡梦科长，继而以他的英勇机敏，获得了上司成田的信任，成为保安局的重要人员。但在远东情报局的内鬼，导致唐飞掉进了福原设计的陷阱，暴露了自己。苏共格拉西姆将军决定用一名重要的日本间谍交换唐飞，但唐飞不愿组织付出无谓的代价。最终在中共和苏联秘密情工人员的协助下，唐飞用其超人的智勇胜利完成了任务。该剧讲述了我党情工人员机智、勇敢并以其特殊的忠诚、大无畏的勇气为反法西斯战斗的胜利做出杰出贡献的故事。
主演：何花,王润泽,冯荔军,朱丽岚,刘锐,廖彦龙,安笑歌
导演：麦田
简介：五百年后，已成“大学士”宁修睿终于见到了让他恨了五百年的锦儿，但她已经不再是渔村孤女锦儿，而是城中颇有名气的“落魄千金”苏音音。二人相遇后，彼此的境遇也因此变得险象环生、不可分割。一段充满奇遇与冒险的悱恻恋情在他们之间悄然拉开序幕，宁修睿不能归海的秘密也随之浮出水面，二人之间似乎潜藏着更大的羁绊。
主演：于朦胧,邢菲,闫肃,Su,Yan
导演：蓝海瀚,王飞
简介：该剧讲述初入江湖的古灵精怪少女战清泓和表面是狂荡不羁的病娇公子、实则身怀家族仇恨、谋略颇深的林放以及贵族出身却向往江湖的温宥之间的江湖军事爱情故事。
主演：胡一天,陈哲远,梁洁,梁婧娴,罗嘉良,毛林林,郑斌辉,周骏超,邵芸,孟丽,赵樱子,王禛,宋文作,周斌,晋松,李健仁,徐洁儿,张璇,丁可,侯晓童
导演：邹集城,刘方
简介：自称“天下第一恶”的江小鱼自小生活在恶人谷，在十恶李大嘴等人的抚养下，终日好整蛊恶搞，油嘴滑舌，却心地善良、纯真可爱。小鱼儿行走江湖，与英气逼人的花无缺不打不相识。随着接触深入，小鱼儿和花无缺变成一对亦敌亦友的朋友。原来花无缺从小被移花宫主邀月收养，授其武功，宫主为了报复花无缺和小鱼儿的生父江枫，故意将二人分开抚养，待二人长大相互残杀。与此同时，江别鹤、江玉郎两父子正谋划着一场更大的武林阴谋，螳螂捕蝉，黄雀在后，一场事关武林生死存亡的腥风血雨旋即展开。小鱼儿与花无缺终于识破了宫主的阴谋和诡计，携手平息了江湖的恩怨与挑战。
主演：孙耀威,侍宣如,卢勇,于子宽,言杰,李水诺
导演：张津涛
简介：传闻江湖上有十二道失落的兵符，得兵符者可号令天下。锦衣卫千户袁彬奉命追查兵符下落，反被指挥使季门达利用并嫁祸。关键时刻，袁彬失散多年的童年玩伴——金刀门门主姽婳现身，解除了袁彬的危机。为阻止妄图收集兵符危害国家的季门达，袁彬决定先他一步找齐这十二道兵符。在探寻兵符和真相的过程中，季门达穷追不舍，姽婳屡屡救袁彬于生死之间，甚至为他几度负伤，青梅竹马的感情迅速升温，姽婳的父亲却突然现身，要求姽婳杀掉袁彬。这对亡命鸳鸯如何冲破重重难关？战胜季门达守护兵符之路依然艰险难测……
主演：刘芮麟,李婷婷,朱然,肖雨,余凯宁,孙语涵,范薇,郝文婷
导演：韩洋
简介：秉持着“损友”原则厮混多年的青梅竹马卢嘉嘉（李婷婷饰）和年孟宇（刘芮麟饰）在高中毕业后一起去上海读医科大学。年孟宇凭借自己的经济头脑和家庭关系开始在校创业，财迷卢嘉嘉则为给异地初恋男友买手机变身年孟宇“御用会计”顺便兼职“拾荒”。之后卢嘉嘉认清感情决定分手，年孟宇却被学校的古典美女孙晓慧（肖雨饰）吸引。孙晓慧作为情场高手玩弄年孟宇于股掌，在卢嘉嘉的帮助下才认清真相。此时，卢嘉嘉的代课学长姜枫喜欢上卢嘉嘉，年孟宇也渐渐意识到自己对卢嘉嘉的感情。非典的意外到来让三人开启同居生活，姜枫向卢嘉嘉表白却被拒绝。年孟宇终于意识到和卢嘉嘉多年损友背后的爱情真相
主演：陈奕木,周阶,吴宣萱,罗翔
导演：张智鸿
简介：《狐门秘事》讲述了在军阀割据时期的鹤灵城，商行少爷肖蓦然不幸被卷入一起凶杀案，在寻求真相途中结识了实为狐族后裔的护城官白祈，查案期间无意中发现了阴阳师晋川（罗翔 饰）的阴谋，两人与其殊死搏斗，誓死保卫全城子民的故事。
主演：周阶,陈奕木,吴宣萱,罗翔,廖芊婵
导演：张智鸿
简介：《狐门秘事》讲述了在军阀割据时期的鹤灵城，商行少爷肖蓦然（周阶饰）不幸被卷入一起凶杀案，在寻求真相途中结识了实为狐族后裔的护城官白祈（陈奕木饰），查案期间无意中发现了阴阳师晋川（罗翔饰）的阴谋，两人与其殊死搏斗，誓死保卫全城子民的故事。
主演：陈哲远,李墨之,张峻宁,程砚秋,晏紫东,张璇,张晨光,许榕真,杨新鸣,张棪琰,王劲松,宗峰岩
导演：刘海波,沈阳
简介：大楚皇后姚莫心在朝中被奸人所害，而一场雷雨闪电之后，她的魂魄却到了妹妹姚莫婉体内，而姚莫婉此刻正在被敌人追杀，在危机时刻掉下悬崖失去了记忆。姚莫婉与大楚肃亲王夜君清在一系列的阴差阳错之下逐渐相爱，可就在两人都想互表心意的当头，姚莫婉知道了自己就是姚莫心的事实，也知道了自己曾经被仇人所暗害。为了报仇，姚莫心凭借妹妹姚莫婉的身体，再次进入皇宫。初入皇宫之时，姚莫婉在几个妃子之间找到了杀害姐姐莫心的仇人，并认识到了皇帝夜鸿弈的本质，狠下心来要替夜君清夺回江山。为了复仇，姚莫婉先后结识楚漠北、寒锦衣等痴情而又无所求的各色人物，欠下数不清的情债。姚莫婉终于实现自己的承诺，报了血海深仇，也还心爱之人夜君清锦绣河山。
主演：增田俊树,白井悠介,代永翼,大桥贤一郎,阿部敦,江口拓也,小野贤章,佐藤聪美,兴津和幸,羽多野涉,齐藤壮马,佐藤拓也,小西克幸,川原庆久,保志总一朗,立花慎之介,古川慎,广濑裕也,木村昴,西山宏太朗,近藤隆,高桥广树,千叶进步
导演：别所诚人
简介：TV动画《IDOLiSH7》第3季确定将分割放送，第1季度将于2021年内播出。
主演：凯蒂·史蒂文斯,艾莎·迪伊,梅格翰·法伊,山姆·佩吉,马特·沃德,史蒂芬·康拉德·摩尔,梅罗拉·哈丁,丹·让诺特,彼得·瓦克,妮可尔·布舍里
导演：盖瑞·麦克劳德
简介：本剧根据赫斯特报业集体的首席内容官Joanna meijubar Coles的生平改编。剧集讲述了负责全球女性杂志《Scarlet》的人的神奇人生中的爱恨情仇：一代崛起的《Scarlet》背后的女人们相互依靠，试图在一众威严的领导们面前发出自己的声音，她们一起探索性别、身份、爱和时尚。
主演：凯蒂·史蒂文斯,艾莎·迪伊,梅格翰·法伊,雪莉·罗德里格斯,Ilyes,Belayel,Anna,Hart,兰迪·托马斯
导演：未知
简介：Freeform宣布一口气续订新剧《#女子无畏# The Bold Type》第二及第三季，每季10集，另外Amanda Lasher将加盟剧组，代替原制作人Sarah Watson的位置。
主演：梅格翰·法伊,艾莎·迪伊,凯蒂·史蒂文斯
导演：小维克多·内利
简介：Freeform宣布一口气续订新剧《#女子无畏# The Bold Type》第二及第三季，每季10集，另外Amanda Lasher将加盟剧组，代替原制作人Sarah Watson的位置。
主演：凯蒂·史蒂文斯,艾莎·迪伊,梅格翰·法伊,马特·沃德,梅罗拉·哈丁,山姆·佩吉,妮可尔·布舍里,史蒂芬·康拉德·摩尔,伊娃·阿维拉,丹·让诺特,亚当·卡布里奥罗
导演：小维克多·内利,杰米·特拉维斯,詹恩·特纳,加里·弗莱德,安娜·马斯特罗,塔拉·妮可·韦尔
简介：本剧根据赫斯特报业集体的首席内容官Joanna Coles的生平改编。剧集讲述了负责全球女性杂志《Scarlet》的人的神奇人生中的爱恨情仇：一代崛起的《Scarlet》背后的女人们相互依靠，试图在一众威严的领导们面前发出自己的声音，她们一起探索性别、身份、爱和时尚。
主演：迪丽热巴,马可,王洋,邵兵,江明洋,刘潺,王路,王煜
导演：袁晓满
简介：一次偶然之中，性感火辣的关小迪（迪丽热巴 饰）进入了保镖培训中心，踏上了成为一名合格保镖的漫长道路。在此期间，她结识了崔天琪（王洋 饰）、张燕（艾晓琪 饰）等四名好友，五个女孩子，就这样毫无防备的投入了魔鬼训练之中。想要成为一名称职保镖并不是一件容易的事情，她们的肩上背负着的是性命攸关的重大责任。关小迪一行人要面对的不仅仅是艰苦体能训练，如何处理精神上的巨大压力亦是她们要完成的必修课。在肉体和精神的双重折磨之下，几个女孩终于迎来了她们的期中考试，可是，让她们没有想到的是，想要完成这个试验，必须有一个人自愿做出牺牲。